Exercise your creativity with Photoshop

Release Date: 2008-01
01_2008
Rating: 3 votes

CD descritpion

Neil Duerden brings new light and airy energy into .psd, creating its new logo and cover gaphic. From his tutorial you will learn how to
produce the great piece of artwork. In his Warming up cold Photoshop tutorial on p.46, Neil teaches you not only great computer tricks
but also how to do Air to Fakie in Photoshop! As always, .psd shows you the best Tips and Tricks done by Robert Anselmi p.60! This time
together with Eva Dennis, you will learn how to paint a character in Photoshop, see p.38. We also invited one of the best graphics, Kevin
Capizzi, who created almost entirely in Cinema 4D his animated character, to share his great techniques with you check p.16. Two Photoshop
Hall of Fame winners: Bert Monroy and Russell Brown, are the ones you will find in our Interview with.. section.
Here’s wishing everyone in the graphics industry a very prosperous 2008!

Articles

  • Free Issue to download 01/2008

    Free Issue to download 01/2008


  • Interview with Russell Brown

    Russell has been a creative force at Adobe for the past 18 years, but his influence on Photoshop’s development started right at the beginning. It was Russell’s budding relationship with Thomas and John Knoll, the program’s original developers, that helped shape the future of both Photoshop and Adobe itself. Russell


  • Interview with Bert Monroy

    Bert Monroy was born and raised in New York City where he spent 20 years in the advertising industry as an art director and creative director for various agencies as well as his own. Upon discovering computers with the introduction of the Macintosh 128 in 1984, he embarked on a new digital career. He embraced the computer as an artistic medium and is considered one of the pioneers of digital art.


  • Sanskirt: Light and Airy

    Bright and airy is the feel, but complex and crowded is the reality. It’s all about
    getting the balance and composition right. A good idea is to scribble down a
    few rough ideas as this will give you a feel for the finished piece target from the
    beginning. The concept will change, however, as the piece evolves.


  • SWEETENING A CG

    I usually take an organic approach to my projects. A lot of times, I’m not sure
    I could repeat my results only because of the level of experimentation I like
    to use in my art. I guess that’s what makes working with Applications like
    Photoshop and Cinema 4D so amazing in this day and age, is the amount of
    tweaking and experimenting you can do, then if you’ve gone to far, you can just
    hit the history palette and everything is back to where you were. That said, I do
    usually have and end result in mind, and that’s were really having a grasp on the
    tools Photoshop offers can really pay off. In this tutorial, we’re going to explore
    how to sweeten an image based off a 3D rendered image.


  • Drawing the Eye in Photoshop

    Many people use Photoshop to enhance their photos, hence the name, but
    Photoshop is also a wonderful program for freehand drawing and painting. To
    get you started we are going to draw an eye using basic shapes and simple
    steps. Follow along using this step by step lesson here and on the video and you will
    master this technique in no time! For more lessons and to check on Susi’s new DVD
    release „The Fine Art of Photoshop”.


  • Create a geometric font type

    Geometry fonts aren’t beneficial for a body copy, but for headlines, posters
    CDs and other such designs you can fast easily create a personal font
    featuring the best elements of grid and geometry. Fontlab is a fine program
    for making real, legible typefaces, but for geometric shapes, Adobe Illustrator is
    much faster and more efficient. In this tutorial I’ll show a fast way to create a custom
    font from scratch, drawing the shapes in Illustrator and making an OpenType font
    from them in Fontlab. I’m focusing on lowercase letters since they’re usually more
    troublesome than uppercase. You can easily create the uppercase letters for your
    font by applying the rules used when making lowercase.


  • Technical Illustration

    The technical pieces generation for the objects, machines and tools explanation
    and understanding, it needs of procedures set that they go from the development
    of illustrations up to the graphical composition of objects and texts. In many
    occasions, if you want to explain adequately the functioning of an object in concretly it is
    necessary to appeal the artistic generation to be able to represent elements that of one
    or another way would be impossible to visualize easily. In this occasion the excuse is a
    double action airbrush, in which a transverse cut is applied, drawing every piece from
    layers and using the graphical composition as communicative support.


  • S ta r M i s h a

    Through this piece I’ve come to understand all pictures go through an evolution. The
    change may come when you least expect it, or possibly after a final bout of frustration.
    Whichever helps. In this tutorial I will share with you the progress of Star Misha, in
    which you will learn about custom brushes, the advantage of the blending modes, tips to
    painting fire, and of course, how you paint a character in Photoshop. Keep in mind there are
    numerous artists who use Photoshop for digital painting. In this tutorial you will be seeing
    my personal techniques, so there may be easier options for every step shared.
    S ta r M i s h a


  • Warming up cold Photoshop

    W
    e asked Neil Duerden to do a tutorial for us and he said „Hey I’d love too”. In case
    your
    not
    fimiliar with
    his
    work
    Neil
    is a self
    conf
    essed
    Mac monkey
    based
    in a
    rural miners
    cottage 20 miles
    nor
    th
    of Manchester in the UK. He creates pieces
    that combine elements from mixed media, photography that are interlaced with complex
    vectors
    to
    create
    pieces
    that
    al
    ways
    hit
    the
    brief
    for
    clients
    all
    around
    the
    world.
    He
    is
    always hungry for
    the
    latest
    commissions
    and trends.
    Here are
    some
    of his
    workology
    Hey
    Guys.
    Today
    we
    are
    going
    to
    explore
    a
    fine
    blend
    of
    Illustrator
    and
    Photoshop
    in
    equal measures. This technique is relati
    vely simple and gives a good amount of room for
    experiment and personalization with a great end result that is both flexible and positi
    ve.
    You
    do however
    need
    a
    good
    computer

    this
    is
    both
    heavy
    on
    your processor
    and ram
    so
    I’d
    rec
    ommend
    a
    good
    mac
    setup
    otherwise
    you
    ’ll
    be
    sat
    for
    hours
    watching
    a
    slow
    moving
    blue bar! Before you star
    t decide on what subject or
    theme as this is key to this
    style. Gather
    a good shot o
    f
    your
    subject and also
    a fitting full
    background then make a
    coffee and we’ll begin.


  • Creating Panorama

    I’ve always liked the idea of creating panorama photographs. Ten years ago, I had a
    camera that had a panorama feature that essentially was a switch you would slide
    to one side or the other and when you looked through the viewfinder, voila! You had
    a pano shot. Well, not really, two pieces of black plastic just came in and cropped your
    viewfinder and the developer at the lab would just cut the film.


  • The real time shoe

    F
    irst of all, let us discover Webseed 3D
    Studio’s uses. It will enable you to see 3D
    objects on the Internet in a realistic and
    interactive way with quality that has never been
    attained without using a DirectX plug-in. The
    tutorial explains all of the creation procedures
    for an online 3D applet, from the time the object
    comes out of the 3D program to on-lining,
    including texture work in Photoshop.


  • Creation of clipping mask in Photoshop

    When we work on transparencies in Photoshop, we take the risk that when we
    place them into programs of vectorial edition, layout or only with impression
    intentions, problems with the Alpha channels occur. These problems take to
    impression difficulties and wrong visualization. One of the ways to avoid those problems
    is the creation of a clipping mask in Photoshop to isolate sectors of the images that we
    want to work on. Here, you will find the necessary steps to generate them.


  • Wireless Mice Review

    On the hunt for a new mouse? Whether working with a desktop computer or a
    laptop the best is probably to go for a wireless device, which will give you more
    freedom of movement and can be used on pretty much any surface. The latest
    cordless mice also pack extra features to make full use of all multimedia functions on
    your computer. Let’s take a look at four different products on the market and determine
    which one seems to offer the best bang for your buck.


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